7 FAKE BANGS, MEGA TUFTS, AND CURLS MARKED STYLES

On the fifth day of fashion shows by British designers for winter; we saw some news that skipped the previous days. Amid a profusion of straight hair – which ranged from flat to more natural-looking – huge tufts and well-defined curls found space to shine at London Fashion Week.

The most daring proposals were seen on the catwalk of Meadham Kirchhoff, who paraded two hair looks. In the first, a fake fringe appears under rounded hair, with a reinvented Chanel look. And in the second, impeccable curlers sprout from the hair under an incredible rhinestone tiara.

Bold is also the look proposed by the brand Ashish. Textured and combed to the top, the hair resembles a more “clean” version of Maria Antonieta’s famous hair. There is a fixer for the look of Maria Grachvogel ‘s fashion show. In addition to a tuft, the sides and back of the top of the head gained height in a very different ponytail.

The charm of the day was due to the deconstructed hairstyle of Simone Rocha‘s team and the basics of the time appeared on the catwalks of Roksanda Ilincic and Emilio de la Morena.

FAKE BANGS, MEGA TUFTS, AND CURLS MARKED THE LAST DAY OF LONDON FASHION WEEK.

FAKE BANGS

With an “I made it” face, the deconstructed hairstyle seen in Simone Rocha’s fashion show is a charm.

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Modern Marie Antoinette. Let there be a fixative spray to copy this hairstyle from the Ashish fashion show!

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Enough fixation is also in production for the Maria Grachvogel fashion show.

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Basic and well-behaved, the look of Roksanda Ilincic – who has Lady Gaga as a fan confesses – goes unnoticed.

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In the hairstyle seen on Meadham Kirchhoff’s catwalk; hairpins helped to create the illusion that the hair has the “Chanel” cut.

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Another hairstyle from Meadham Kirchhoff’s presentation brought exquisite bridal looks to the winter.

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The look of the models in Emilio de la Morena’s fashion show is very reminiscent of the daily lives of many women. The difference was due to the ointment that covered the threads and gave the “dirty” aspect.

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